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law.

Art. 577-11, § 5 of the Law Hamal is absurd, with no consistency to the point of losing any consistency. It is based on outdated concepts and even opened a path probably irresistible to manipulation.

He says: "In case of transfer of ownership of a lot: 1 creditor The outgoing owner of the condominium for the part of his share of working capital corresponding to the during which time he has not actually enjoyed parts in common, the statement shall be prepared by the trustee; 2 its share in the reserve fund remains the property of the association. "

We are moving to new comments and scholarly exegeses on funds variables or not even exist. As they did in their review on registered letters or money left to the discretion of the trustee, the commentators will explain graduates with a lot of interpretations, therefore , art. 577-11, § 5 shall be deemed not written since the trustee has full powers to enliven the funds Working Capital and reserves, to confuse or interchange at will, and through this mess, circumventing both buyers and sellers.

Thus, in a few weeks, as burglars fracturing a safe, trustees and their advisers have broken the new law ensured that some have padlocked. They shot the wooden peg and has fallen. And say

Olivier Hamal believed to have been pious.

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Sweden, L'Elysee Montmartre, 28 November 2010

After a slow start the solo career of Brett Anderson seemed to have reached cruising speed with excellent albums out at a steady frequency, accompanied by remarkable concerts (including a moment of pure magic at the Maroquinerie, two years ago ...). It was therefore with some surprise that it welcomed the announcement of the reformation of Sweden in 2010, first for a handful of charity concerts and to tour properly. Brett had he yielded to the call from the bank account? A pressure group of fans, many still in England and other countries further afield, to Asia?
Or was it just a real desire to reconnect with the training provided him with success in the 90s? The trouble is that leaving the concert at the Elysee Montmartre Sweden, jury is still somewhat the motivations of the thing ...

On one side there is of course the pleasure of hearing live the many tubes of the group (if not the hymns) taken with enthusiasm by an audience nostalgic for the heyday of Britpop, even if we deplore a setlist with no real surprises ignoring a number of lesser known pearls. While Brett Anderson seemed to overcome these last years of the rockstar image that clung to the skin, it plunges more than ever today, assuming the role of uninhibited charismatic frontman and excited. Two spots will
however slightly tarnish the reunion: a sound by the time draft, downright mediocre and the lack of involvement of Neil Codling wearing a haggard during the entire set, contrasting strikingly with the rest of the group .
remains at the sight of mine rejoiced in the room at the end of the (too short) concert, Sweden seems to have won his bid to win back a public meeting always present at the call of the English glam. Now waiting to see if they will offer nothing but the best of appropriately released in stores a few weeks ago, or whether they will join the long list of training ending up intermittently during a few concerts lucrative and devoid of novelty. One thing is for sure, Brett Anderson of Sweden does not need to exist as an artist, it is hoped he will continue in parallel to carry his boat solo with freedom inspired the have characterized recent years.

Photos (C) GH

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Gorillaz, The Zenith, November 23, 2010

There is a cruel irony to see a little Mick Jones surveyed the scene of the Zenith guitar in hand, musician almost anonymous in the middle of the armada deployed by Damon Albarn for the tour of his cartoon pop supergroup. After The Clash, Jones was tried in the mid 80's to put up with Big Audio Dynamite training stirring punk rock influences, hip hop, reggae and electro. A bold concept for the era that had not been very convincing, artistically and commercially speaking. 20 years later it is Damon Albarn of Blur paused who wins the jackpot with his Gorillaz and their albums packaged as blockbuster movies. Judging by the audience crowding into a room full to bursting (of rednecks, branches, rednecks trendy, children, their parents, nostalgic Britpop, nostalgic for old school rap, etc etc ...), the old fantasy of the ultimate group capable of uniting all the chapels music does not seem far to materialize.

And the concert in? Well Gorillaz live is like one of those Hollywood blockbusters impressive thanks to a dissipation of resources and a three-star cast. We spent two hours at a good time without a second thought, and you come out satisfied and say that was enough for his money. By cons once in the subway on the way back to his home sweet home , it is likely that you already thinking about something else ...

Photos (C) GH

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Goldfrapp, Le Trianon November 22, 2010

The beautiful room Trianon reopens its doors and these are Alison Goldfrapp and his henchmen who wipe the plaster with a huge show electro- glam. But before the young Wagner provides a very honorable part, coming to seduce the audience despite a sober laptop configuration did not lend themselves to spectacular demonstrations.

sobriety however it will hardly matter at 90 minutes by foot to the floor provided the headliner of the evening. Gone are the ethereal atmosphere of the period Seventh Tree, Goldfrapp again assumes its full status as dance machine and chained without weakening the tubes, supported by its huge. It has often been criticized for Goldfrapp concerts a certain coldness, a visual aspect a little cheap, and a tendency to replicate their albums note for note. If this last point is still valid, Alison appears tonight transfigured by more than enthusiastic public reaction, and the effective lightshow completes to make the experience particularly encouraging. The last album was cool reception when it was released, but one must admit that Rocket or Believer prove quite unstoppable on stage. The voltage drops a little time with a handful of ballads (superb Black Cherry), but the melancholy is definitely no place on this tour and the group returned for a final burst of frenetic titles. Goldfrapp This time seems to have finally found the magic formula that could make her memorable live performances.

Photos (C) GH

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The Lives of Charles Douglas

is the story of a young fan of the Velvet Underground a little borderline mentally that maintains a correspondence with the legendary Moe Tucker and convinces her to produce his first album. The subject was published in 1997 in the general indifference and a few other albums just as the so-called confidential Charles Douglas began his career as a novelist. 13 years later, The Lives of Charles Douglas out of oblivion thanks to the persistence of the label Broken Horse Records and lovers rock lo-fi shocked to find that everything has much the appearance of a small classic. From the breathtaking Summertime it is clear that there is something special, Douglas showing a huge talent behind his melodic tunes slacker listened too disillusioned with Lou Reed ingesting questionable substances. This is neither the first nor the last album down and slices of life loser angry with society against a backdrop of minimalist indie rock, but the sincerity that emanates goes to the heart and its rejection of existing modes at the time of registration now plays in his favor, giving him a hand rather timeless. Sometimes there is justice in this world and has not found its way into record shops in the late 90s (when this kind of thing still existed), The Lives of Charles Douglas should not probably reach a much wider audience in 2010. That's all the evil that he wants.

http://www.brokenhorse.co.uk/

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Byzantine law. Fusion

Art. 577-3, para. 4, the new law on condominiums that are already stressed the psychedelic, says: "If the undivided general includes twenty or more lots, the basic act may provide for the creation of partial associations (...) if a building has a physical separation of elements that are clearly distinct, component of this building. (...)".

Consider a block of fifty apartments with shops and garages. Three ACP and three trustees are created to share the bribes.

Furthermore, art. 577-7 , § 1, 1, c), para. 3, adds: "Subject to the statutory powers of the trustee and the general meeting, the strata council may accept any other assignment or delegation (...)".

It's the return of co-management in all its horror, with his abuse, his pomps and works.

Thus, in the building of the example, six powers (three trustees and three boards of condominiums) competitors or accomplices, nibbling each cheese.

The complexity of laws reflects the decay of states.

transparency, a concept dear to Olivier Hamal, becomes ever more opaque to the point where nobody can see nothing in fog. Responsibilities disappear in homeopathic dilutions.

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The Patapoufpoufs (Paw Paws)

The Patapoufpoufs (Paw Paws) is an American animated series in 22 episodes of 30 minutes, created and disseminated to From 1985 . In France the series will be broadcast from 1989 on FR3 in issuing Dynamite Sat.

Synopsis: A tribe of little bears no larger than mice living in forests in the PNW, they live in teepees, as are Indian. Everything could go for the best in the best of the world if they did not meet on their way the Three Bears renegades, Pataki and his two sidekicks.

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" The tree is virtually contained in the seed "

Gaignard Pierre wrote me in October because he had read the blog of the Session 19 of the School Store, and our research on "tactics fiction ". Thus was born an epistolary debate on our common interests and work in particular. Here is a condensed, which can be found in his portfolio is .

jepreparelaprochaine.blend (for gallery) , 2009 3D animation full HD, 1920x1080 px, 1min36sec.

When I exhibit my work, I show the projection of the idea in 3D animations or models. These are artifacts a priori. The moment I realize this idea is only a pretext.

This means that one hand there is the 3D image as a projection of your idea, and secondly its actual, "real." Yet this reality is only a pretext. Why then realize your idea?

It's very simple, so I do not try to achieve it, I do take the measure of the gap between the thing that I thought and one I made. In fact, whenever I meet a lot of difficulty (there is no gravity in 3D software) and I never keep the objects made. These "problems" construct a narrative of these projects. They are embedded in the stories I tell, they are almost the subjects of work.

depuisquej'aidécoupéunevoitureen3, onm'enaproposé6 , 2010, digital printing paper, epson lustré.145x109cm.

The probability either. Cycle of exhibitions "The rigor is not a sure bet." NSPP gallery in St-Etienne (42).

How do you see from this narrative?

I think it fits in the artifact. It is a very special time. A time that takes time. Conversely photo, video, the record is long and the approximate distribution is (and partial, but like other mediums you tell me). There is only one thing, stripped of any superfluous a fluid story. The narration may be effective for reporting project, because it comes straight to the point.

Is not this a form of failure that interest you? The permanent difference between what you want and what happens, the imaginary and real, the impossible and the possible ...

I also believe that failure is not a given set aside but this is not a goal. Panamarenko always "good" failed because he believed that one day the machines would fly. It would not be mastered if such failure ... Failure is not the end of the project for me, it is one step. The poetry of work (and that's what I'm looking for me) is perhaps the solutions found to fit the work of his thought to his existence.
I've always been fascinated by the retrospective exhibitions and what I prefer, what are the sketchbooks. The difference between a thought piece and its realization. Do you think these "objects" preparatory a priori, may be artifacts as well as documents indicating an event?

Absolutely. A document is deemed to have evidential value. Now it seems they are often fallible. They are often considered as evidence, but we must emphasize the part of fiction they can convey! Photography Leap into the Void (published in Sunday's diary one day, 1960) seems to offer a paradigmatic example. The image is included which may amount to a stealth action: a man jumps from a window, without convening viewer, gesture worth for himself. But we all know that this is indeed a photomontage. However, the party is not faked the jump. Indeed, in its action, Klein was due to the ground by a canvas held by twelve judoka. It is this only "precaution" was deleted from the final picture by replacing it with an image of the street before jumping. Klein has really jumped, experiencing and immersing himself in intangible qualities of emptiness. But it did not crash on the sidewalk, as might suggest mounting. This is a representation without denotation, however, performs an act that gives it an existence artistic implements, but as it did not happen.

Me comes to mind a beautiful image of Levy "The tree is virtually contained in the seed." The thing is another potential time it calls for future achievement but it is defined this as something latent that will not happen.

In your pictures, it goes something like this. The 3D image refers to a possible reality, it "performs." The viewer imagines the tree, the link with transcription in the real. But what it will really be like that?

course not! It's almost an equation. The tree will grow Levy certainly, but its growth will be affected by many factors. Light, soil quality is first. The construction of a bar than a building or furniture change in shape.

Does your work is not located exactly between the idea and its realization?

I think so.

Finally, what are various methods / artifacts to translate the same idea. But why is that? For example, why do you decide to cut a car? I wonder if eventually you do not choose things that you would particularly restrictive to have a singularly important gap with its realization, even if you do not want "master failure".

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In the photographic archives of the Commissioner (2)

Nine Inch Nails, Zenith, June 2009

Tindersticks, Le Bataclan, May 2010

Them Crooked Vultures, The Zenith, May 2010

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The Band Crados (Garbage Pail Kids)

The Band Crados (Garbage Pail Kids) is an American animated series in 13 episodes of 22 minutes, created and aired from 1988 of after the movie Garbage Pail Kids movies from 1987 . In France the series will air only once in 1989 on the 5 in issuing Yippee! School's out.
The film series will not be known a great sucking, but do not recall the stickers of the same name, with Jérémy Minet, DECALCO Mary Roman Toutterain, and so on of the best ...

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Flat Antenna Vs. Regular

Do we believe what we see, or do we see what we believe?

text published in the book Horacio Cassinelli, Abductor images, area Editions

Based on testing the curvilinear perspective of Andre and Albert Flake bar that shows no regular shape, apart from the circle, not can actually be seen as such and that education and habit cause the brain to correct the distortions of perception, the philosopher Jean-Francois Lyotard argues that learning is unlearning to do to recognize [1].

Opel Corsa , 2000

Playing on our unconscious knowledge of icons of our time post modern, upright images without our knowledge in our memory as a database shared collectively, Horacio Cassinelli demonstrates that education and habit cause the brain to correct the distortions instead of perception, but those that the artist did to the pictures too well known. "Learning to see" the mechanisms that operate in the work would be truly "unlearn to recognize."

The Ambassadors by Holbein the Younger is an array famous, including his strange object prem ist plan - also remained mysterious long and often called the "cuttlebone" - is the anamorphosis of a human skull, which recovers when located nearby, looking to the left. Beautiful vanity with raised feet ambassadors, it is a sordid reminder of the status of the two fatal starched in their regalia, including wealth, both intellectual and monetary, would tend to make them forget their human condition.

Contranamorphose , 1998

Horacio Cassinelli performer in his own way the masterpiece of the Renaissance. On a canvas at angles of 45 °, the two protagonists, John and Georges de Selve Dinteville are strangely elongated, distorted, bias. The table needs to be seen "correctly", as the viewer moves to find the focal point that will restore sight grazing the men in their proportions, using the same method used by Holbein to paint the skull. Like a fool's game, where everyone thinks the other deceiving the viewer immediately recognizes the table referent, and think I can stick to that and take his eyes. Yet it is only taking the time, that the careful observer will reach the level of understanding of the work. "Learning to see" here is, firstly, acknowledge ( Ambassadors by Holbein), to better "unlearn " thereafter and identify the differences, transformations that the original suffered. Indeed, in the table of Horacio, the subject that posed a heavy solemnity of the scene and reminded us how many are insignificant luxuries and aspirations of life, has simply disappeared. Only two ambassadors deformed rid of the "reflection of our own nothingness " [2], almost light and carefree ( Contranamorphose , 1998).

"The work lies a little, like stick insects, but taking his time, we see that things are moving, things are more covert. [3] "


At fourteen, Horacio Cassinelli, from Argentina, Chile to attend an earthquake. Waves are formed in the pool away. Instead of imagining the world, stable, flicker, making the artist feel uncomfortable. This story resonates through his work indefinitely. A macabre dance? These are articulated wooden dummies - used in drawing classes to study the attitudes of the human body - placed on a black background on which the artist painted a skeleton, like a stencil pattern ( Calaquitas , 2002). The moon stuck like mud underfoot? A trompe l'oeil painting in a pair of shoes (shoes , 2003). A cake in which small figures moving in the snow? A collage where Brueghel is relegated to the role of garnish ( book of collages, 1995-2005). The Opel Corsa covered the ground for a vase Hellenistic - cracks included - ( Opel Corsa, 2000), butterflies cut from reproductions of paintings and essential history of art ( mariposas , 2000), his work continues to ask ourselves: Do we believe what we see, or do we see what we believe?

Mariposas , 2000

lost between the initial object representation of an image painted on the ground, the covering of one another, the viewer must make a careful very specific to the work of the artist, which require a gathering of thought in order to assimilate the absurd arrangements of heterogeneous elements, and, most importantly, to measure pressure. A measure that takes time.

Take a ruler, pen, and connect the dots, the number 1 in 2039 to bring up the drawing, according to the rule that we follow dutifully child in our notebooks games. It takes a lot of time to finish that thought for Horacio, and nothing a priori no different: the lines that make return trips and black areas - the artist would play it for us? It was only in away, forgetting the profiles of witches that we believed in vain to discover, that we discern a white figure, standing out among the trais angry. Appears when a woman whose curve that barely holds no sway the tissue slides of her hips: the Venus de Milo ( Unolospuntos , 2005). Why did not we had seen before? "Learning to see" would rather let our imagination arise for us to discover almost disappointed when we finally recognize the Greek sculpture, therefore, clears all our projections.

Unolospuntos , 2005

Seeking to know when a work is finished, the artist decides to tackle her pre-existing works - yet. But violently, attacking to the object: it then applies to sculpt three-dimensional mobile phones within African statuettes (To be continued , 2004). The task is not easy, brittle wood. But the question remains: these statuettes, usually with powers, used and reused until they are effective, discarded when damaged, they still have these qualities and atrophied - or increased, it depends - a mobile phone ? I am aware of the incongruity of the question by asking.

Rallying to his cause all Surrealist techniques (collage, exquisite corpse, photography, painting, embezzlement), the artist nevertheless does not seem investigate the strange beauty of everyday life arose sublimate. It does not create images, but draws blithely into a vast movement in pop those we eat every day, then kneaded, sculpts, twists them, distorts them, moves in a very slight difference between the object and its reflection, has pitfalls along the way, and changes our outlook on things we do very little.

Collier , 2010

Under a domed globe, in a Napoleon III, a white pearl necklace hangs on a black velvet. We see a slight abnormality, a blue and green we approach: a swarm of beetles reveals, medley of insects on their backs the precious pearls painted. In a reverse movement that our curiosity brought us to realize we are moving away, agitated, anxiously asking us whether, ultimately, it's not a breakthrough toward an area of our unconscious qu'Horacio Cassinelli try digging.


If Lyotard urges us to give way "instead figural par excellence, scope of vision that focused attention and includes discharges around the small area of distinct vision (foveal) a wide fringe peripheral curved space " Cassinelli, in his work, does not encourage us to do exactly the opposite of the foveal curve at the periphery, but rather to come and go between these two zones collection. One where visual acuity is greatest and our understanding of the optimal image, the other, repressed, limiting as much as possible the effects of gaze intent to capture the elements of an involuntary vision. Can it then qu'Horacio invites us to question what we recognize, to encourage us to discover for ourselves the space curve of the retinal image?

---

[1] Jean-Francois Lyotard, Speech, figure Paris: Klincksieck, 1985. Lyotard notes mentions a long extract of A.. Barre and A. Flake, The curvilinear perspective , Paris: Flammarion, 1968.

[2] Jacques Lacan, The Seminar , Book XI, The Four Fundamental Concepts of Psychoanalysis , Paris: Seuil.

[3] Horacio Cassinelli in an interview, October 2010.

[4] Jean-Francois Lyotard, op. cit.

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The College Years (Degrassi High)

The College Years (Degrassi High) is a Canadian series 70 episodes of 25 minutes, created and broadcast from 18 January 1987 . In France the series will be broadcast from 10 September 1988 on Antenne 2 in Graffiti issue 5 / 15 and will be rebroadcast later in the broadcast Giga .

Synopsis: This series depicts the everyday lives of a group of young people making their first steps in college.

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The Wild Wild West (The Wild Wild West) Back to

The Wild Wild West (The Wild Wild West) is a series U.S. 104 episodes of 50 minutes, created and disseminated from the September 17 1965 . In France, the series will air from 9 April 1967 on ORTF.

Synopsis: Cete series features the adventures of James T. West and Artemus Gordon two agents of the United States Secret Service Office of the President.

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Beach House, Midlake, La Cigale, November 4, 2010

A high-quality programming for this evening in the Festival of Inrocks. The war started before even entering the room, The Acorn playing acoustic for the public queuing up in front of La Cigale. Found on the Canadian scene moments later to set an energetic and charming. Public under the spell also for the short performance by John Grant, although this writer admits to not being totally convinced by the songs of the former lead singer of the Czars.

Beach House has delivered one of the great records this year with Teen dream, but it was not clear that the fragile beauty of their music is easily the course of the live. The intimate size of the pieces here is put aside in favor of its huge, impressive. Stashed behind his synths and flyaways, Veronica Legrand nonetheless charismatic and captivating. Great concert.

hard to chain then the folk rock with a little wise the much awaited Midlake. Titles

are interpreted perfect may be too perfect. Fortunately the band finally gradually rein in, giving free rein to his instincts more nervous. End in triumph and poignant version of Branches rappelling, beautiful conclusion of an evening flirting with no-fault.

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Future (Back to the Future: The Animated Series)

Back to the Future (Back to the Future: The Animated Series) is a series Animated Franco-American in 26 episodes of 25 minutes, created and broadcast from 14 September 1991 , according the trilogy of the same name . In France the series will be broadcast from 1993 on France 2 in the emission Télévisator 2.

Synospsis: Marty Mc Fly, Jennifer Parker (his girlfriend) Dr. Emmett Brown and his family (his wife Clara and their children and Jules Verne) travel in time.

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funds and confusion.

After the little blackmail to which notices, by manipulation of the law, trustees have led owners to choose the regular mail rather than the recommended, here the confusion of working capital and reserves.

Law Hamal in his art. 577-8, § 4, 5, says: "The trustee is responsible for administering the funds (...) of the condominium, to the extent possible, these funds must be placed entirely on various accounts, which must include a separate account for working capital and a separate account for the reserve fund, all such accounts must be opened in the name of the condominium. "

A healthy mind and right shall include the trustee must collect and allocate the payment of a joint owner on an account specific and well defined according to whether a transfer relating to working capital or reserve funds. Is not it obvious?

Nay! Trustees and their lawyers have found in the legal text the expression "to the extent possible." In their view, this statement means that the working capital reserve and may be confused or embarrassed when an inaccuracy arises, such as a reluctance on the allocation, which is frequently the case among many others. When such difficulties arise, and although as vague as ill-defined so that she can apply to all situations, then it is the trustee to assess definitively the best allocation in the best interest of the condominium. The legislature has expressed a willingness to delegate the organization of two funds, their possible merger and their eventual breakdown in the wisdom of the trustee. After this new spin, no doubt that the trustee-juggler fall on his feet.

But in these conditions and again, Olivier Hamal might have spared himself the effort to amend the 1994 Act.

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What's New, Mister Magoo (The Famous Adventures of Mr. Magoo)

What's New, Mister Magoo (The Famous Adventures of Mr. Magoo) is an American animated series in 52 episodes of 10 minutes, created and disseminated from 1949. In France the series will be broadcast from 1974 on ORTF.

Synospis: Mister Magoo is an old man, bald but extremely short-sighted, something he refuses to admit, that is why the animals or people the victim of this person screaming mad.

What's New, Mr. Magoo
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Alvin and the Chipmunks (Alvin and the Chipmunks)

Alvin and the Chipmunks ( Alvin and the Chipmunks ) is an animated series in 102 episodes of 22 minutes, created and distributed from 17 September 1983 . In France the series will be broadcast from March 1986 on Canal + in the broadcast Cabou Cadin and will be rebroadcast from 1990 on FR3 on in issuing Dynamite Sat.

Synopsis: This series features the adventures of three brothers chipmunks, Alvin, Theodore and Simon adopted by Dave human.

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