How To Transport Live Fish From The Us To Canada

exposure ESAG "As for the real [...] he can always take a hike elsewhere"

Exclusively just for you: The Invitation (prohibited) from exposure
"As for the real [...] he can always go get see also "

of 8 to 18 February 2011 at the gallery of the art academy of Grenoble.

With:

Michael Belmonte. Min Chen. You Jin Chung. Cyril dawn. Leo Durand. Romain Hamard. Patrice Jamet. Kad Mehideb. Yohan Meola. Benjamin Miloux. Pauline Morgana. Line Peyron. Emma Ponsart. Tao Zuo

This experiment is a collaboration of students from the fifth year of upper school curriculum with Joel Bartolomeo and myself.

The exhibition is open daily from 14h to 18h to ESAG.

Opening Tuesday, February 8, 2011 at 18:00

" Q s regards the real [...] he can always take a hike elsewhere"

A vehicles may be acceptable without reservation the absolute prerogative of reality is a human faculty any conditional and provisional. Nothing more fragile indeed admit reality.

Clément Rosset in Reality and its dual, the illusion test [1] , demonstrates that the human being manifests a very relative tolerance towards reality. Tolerance may in fact be suspended if reality is too painful to watch. "A perception is off when the consciousness free from any adverse performance. With this propensity to shelve the real, an event humans split into two single, double, thereby allowing to endure "the unbearable brightness of this." The immediate reality as we perceive is understood as an expression of another reality, which alone gives meaning and reality. This world, which by itself has no meaning, is a misleading one liner from which it receives its meaning and being. "As for the real, if he insists and insists on being perceived, he can always go for a hike. "

The artists exhibited in the gallery ESAG prey on this fact to the real face of intolerance, to provide this" elsewhere "where reality can" get lost ". A double-movement corresponding to the articulation of the exhibition - is emerging, on the one hand, some break up a vision for naturalist, through an abstract line, try to present what escapes the human understanding and that creates anxiety, even a real disorder. On the other hand, everyday life is captured in the extent of its complexity, sometimes trivial, sometimes delicate and slightly shifted, moved to better the point. Addressing our illusions, artists repeat the sham that is the present moment, the thickness created reveals a shift similar to the phenomenon of paramnesia (or "already seen"). We believe collect "memories of this" repeating abnormal perception. This tripling and revealed itself to us in his "unbearable brilliance."

Maybe artists foresee - as appearances foolish, or false sense - the meaning of this world, which is none other than "the manifestation of both primary and futile an amazing mystery [2] ? For if the truth remains committed to the myth of the cave, if our world is the shadow of another, as projected and thrown by the method of the camera obscura Finally, if our real world made no sense for himself, maybe here, in artistic production, it receives a meaning.

[1] Clément Rosset, Reality and its dual, the illusion test, Paris: coll. "Folio testing, Éditions Gallimard , repr. 1999 (1976).